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CityScape Escape

Image of an encaustic and ink painting by Janet Fox titled "CityScape."
CityScape | encaustic and paper (sold)

Escaping in a Cityscape

I recently took a trip to Brooklyn, New York, to relax, see some art, and enjoy the cityscape. While there, I visited the awesome artworks in the Brooklyn Museum. Here’s a bit of how my rejuvenating day went…

First of all, imagine having a yummy brekky and a spiced chai concoction in a gluten-free friendly cafe on a lazy, sunny Saturday morning. Next, we meander along the city sidewalks, gazing at this and that in an assortment of interesting stop windows. Along the way, we discover it’s also an open art studio weekend.

Walking half-way down the block, we see an open studio. So we climb the steps and enter artist Doug Beube‘s studio and gallery. We are absolutely WOWed by his beautiful bookwork, collage and mixed media art! After spending an hour exploring and enjoying his work and chatting, we decide to buy his book, Breaking the Codex. (Mr. Beube’s website has a fantastic variety of his art; I think you’ll be amazed, too!)

As a result of our visit, we have a renewed sense of creative energy and continue our journey to the museum.

Almost to the Museum now, we see lots of people in motion, moving this way and that. Some are sitting, soaking up the sunshine. As we sit for a bit at the Museum front plaza, imagine looking down from the sky and seeing all the others arriving from different directions.

Discovering ancient encaustic paintings

Imagine now, entering the Museum and roaming lazily through the exhibits. Suddenly to my surprise and delight, I discover the famous ancient Fayum Mummy portraits on display on a wall across the room! I recognized them immediately but didn’t realize they were in the Museum. These paintings are some of the earliest known pieces using encaustic paint, which has become my favorite medium. As a result, photos of them are in many books about encaustic painting.

My favorites include Noblewoman and Mummy Portrait of a Man. I stand mesmerized and study them for what felt like a very long time. So many questions swirl in my head. Who, specifically, painted them? What techniques did she or he use? Finally, did the painters back then have any inkling that many, many generations later, half-way around the world, people in Brooklyn would be viewing and appreciating their art with awe?

About Cityscape

I set out creating Cityscape by starting with one of my earlier paintings, Unwinding. After heating and scraping away the paint, I added new layers of paper shapes and encaustic paint and medium. The rainbow of colors and shapes the diversity of people, structures, green spaces and energy. Going to the city to unwind and discover somethings old and new can be quite rejuvenating!

How do you unwind in the city?

  Feel free to add your note about this post or view others’ thoughts by clicking “Leave a Comment / Comments,” below.

 For information about purchasing a similar artwork, contact Janet Fox.

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Connections: lines, circles, spaces between

Image of an encaustic and ink painting by Janet Fox titled "Connections."
Connections | encaustic, watercolor, ink

Connections hold us together

With so much us-vs-them energy in the external world, I needed a reminder of our many complicated, beautiful and often unseen connections. Whether I like it or not, I’m part of a fantastic web and an action in one spot ripples throughout in mysterious ways.

When I am upset, I can unwittingly pass the upset energy to someone else through my attitude. Or with acts of kindness, I can hopefully pass on some brightness and light. Not only can I pass along my energy, I must also be mindful of what kind of energy I receive or pick up from others.

Fascia connections under our skin

Under our skin is another internal web. According to AnatomyTrains, “Fascia is the biological fabric that holds us together, the connective tissue network. You are about 70 trillion cells – neurons, muscle cells, epithelia – all humming in relative harmony; fascia is the 3-D spider web of fibrous, gluey, and wet proteins that binds them all together in their proper placement.” Read more about this amazing system in this intriguing AnatomyTrains’ article describing our fascia system. There’s also an awesome descriptive video, “Tom Myers – Fascia like Non-Newtonian Fluid.”

About Connections

September is traditional “back to school” time and I’ve been exploring some new materials to use in my encaustic paintings. In this piece, I started with watercolor paint and waterproof ink on watercolor paper. After the media dried, I mounted the paper on a rigid board. Then, I added encaustic medium, embellished the painting with more ink, and fused.

I really like how the painting turned out. The underlying pigments interact and flow into each other, creating lots of interesting tones while the encaustic medium intensifies the colors with a smooth finish. The circular spots… hmm, what are those about?

How do you experience connections?

  Feel free to add your note about this post or view others’ thoughts by clicking “Leave a Comment / Comments,” below.

 For information about purchasing this artwork, contact Janet Fox.

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Circling Back

Image of an encaustic painting by Janet Fox titled "Circling Back."
Circling Back | encaustic (sold)

Circling back around

The end of 2015 has come and gone and we’re circling back around into a new year. Reflecting on last year, I saw various “Best of 2015” lists. What were the best movies, music and photos? Most compelling stories? Loveliest moments? Scariest events? What have we learned? What have we struggled with that needs more time to figure out?

On a personal level, I’ve felt a strong urge to sort through things, clean, rearrange, recycle what I no longer need, find new homes for reusable items, and discard what’s too worn to be useful. Some of this work is a sort of ending. And colder winter weather also keeps me inside more so it just feels like a great time to do these tasks.

Timing of new beginnings

Closing out an old year, while taking time with family and friends, allowed me to reflect on what is important. I’ve not been a big fan of New Year resolutions, but having a re-start date can be useful to focus on self improvements. This informative and humorous article by Elahe Izadi in The Washington Post points out why the new year starts on Jan. 1, noting it is a terrible time for renewal.

For me, though, the gradually increasing amount of daylight after the Winter Solstice on December 21st brings feelings of new growth. (Getting gardening seed catalogs in the mail help that along, too.) But I know the first of the year is not the only time for new growth.

Clean space for something new

With things I no longer need cleared out, I now have a blank space (or a blank canvas) to explore, create and fill. But what will I do and create? Something brings me back around to the words of the late Joseph Campbell, the famous American scholar of world mythology. His answer when asked this kind of question was “to follow your bliss.” The Painter’s Keys Art Quotes has this great list of Joseph Campbell quotes. I hope you enjoy them!

So I’m trying to stay aware and recognize what brings me happiness and joy so I can fill my space with more of that. Creating art and exploring my and others’ dream realms are a few of the blissful, energizing paths I am on.

About Circling Back Around

In this contemporary encaustic painting, I created roundish shapes and paths. Layering papers and colors reminded me of how I often repeat similar things, although no two times are identical. I chose a thin silver cord for skipping around, for a light feeling.

So here we go again, but with another year of experience under our collective belt. What changes need to be made… and can we muster the courage and energy to make them?

What blissful paths are you following?

  Feel free to add your note about this post or view others’ thoughts by clicking “Leave a Comment / Comments,” below.

  For information about commissioning a similar artwork, contact Janet Fox.

Breathing Meditation

Image of an encaustic painting by Janet Fox titled "Breathing Meditation - Revised."
Breathing Meditation (revised) | encaustic

Focus on breathing

We all must do it to live. Breathe in. Breathe out. Repeat.

From the moment we are born until the moment of death, we repeat this continuous cycle taking in air with the essential oxygen needed to break down food into energy. After, we exhale carbon dioxide and water as waste.

With breathing as a metaphor for life, we continuously take in new things, deciding which to integrate within us and letting go of the rest. What do you keep? What do you let go of?

Focusing on the breath

In many meditation practices, an important way to quiet the mind is to focus on breathing.

Focusing on my breath has helped me calm down and work through pain and difficulties. While belly breathing, I mentally focus on the points between the breaths, too. At the end of the inhale, I gently contract a painful muscle or hold a difficulty in my mind. I then focus on releasing it with the exhale. At the end of the exhale, I envision ratcheting down the original stimulus. After a few minutes, I usually feel better.

About Breathing Meditation

I chose a four-color scheme in this encaustic painting to represent the inhale, exhale and the points in-between. The red represents the inhale, focused on energized and raw pain or difficulty. The violet is the point of maximum inhalation and can be a point of remembering, contracting or holding. The green represents exhalation, letting out waste air and also releasing pain and difficulty. Finally, the white transitions back to the beginning of the breath, a bridge between the ending and a new beginning. The bottom section shows how the strength of each step can change over time.

How does it feel when you focus on your breath?

  Feel free to add your note about this post or view others’ thoughts by clicking “Leave a Comment / Comments,” below.

 For information about purchasing this artwork, contact Janet Fox.

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