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She Chi

Close-up image of an encaustic mixed media painting by Janet Fox titled "She Chi."
She Chi (focal panel) | encaustic mixed media

Shi Chi or feminine energy

She Chi is an original, 7-panel, encaustic mixed media painting inspired by an amazing springtime dream that went something like this…

Once upon a dreamscape, a woman was spending a quiet spring evening in a peaceful secluded park at the edge of a forest. Positioned up a bit on a hillside, she sees train tracks over yonder with a very unusual train. The train’s cars were open face, with flat beds and many cozy spaces.

One of the cars, toward the back, is humming with a lot of motion. As she zooms her eyes and focuses in, she realizes the car is full of something living. It is full of all kinds of incredible talking ovaries!” They are fully alive and chattering amongst themselves, but only about what they know best…every and all kind of egg thing imaginable! Some were quiet and in serious conversations, while others were joking and laughing. This was a surprising and curious sight, indeed!

The next car toward the front on the train is similar, except it is full of stomachs! They were busy talking about what they know best… all kinds of stomach things! And so it went like that all the way up to the front of the train, to where the brains were driving the engine.

Now on the track in front of this women’s train, a big, dark and hollow train was barely moving, all tuckered out with only a tiny spark of energy.

About now, “HER” voice from another realm is heard all around, filling every sound space. “SHE” directs the women’s train to approach the hollow train and to “drive through” it to fill it out from within. Once inside, the women’s train engine carefully makes its way through to the hollow train’s engine space, where it begins to settle down and fill it out.

Finally, as this union is complete, “SHE” declares the plan a success!…

A dream calls out to be painted

This dreamscape absolutely caught my attention; I was especially intrigued by the talking ovaries. The feminine voices must be heard: they were animated, energized, and speaking their truth in so many ways. This vivid dream was bound to inspire a painting, plus some interesting conversations and insight, too.

While working on some initial ideas and sketches, I researched to learn more about this area of the female body:

  • The Female Pelvis, Anatomy and Exercises,” by Blandine Calais-Germain, is filled with easy-to-understand text and illustrations showing the pelvic bones, how they are shaped, and how they move and work together. Separate chapters focus on the muscles, tendons, and organs. See how amazing this area is – able to dramatically expand and transform during pregnancy, childbirth, and then in later years. The book also shows targeted exercises to help keep this area healthy. While reading this book, I realized how much about this area I had not known before!
  • Turning to the emotional, psychological, and spiritual realms, “The Creation of Health” by Dr. C. Norman Shealy and intuitive Caroline M. Myss explores the flow – and blockages – of energy, or chi, in this second sacral chakra region.
  • And in the outer world, so many female voices are courageously speaking out, demanding to be heard and inspired by the #MeToo movement.

About She Chi

Seven panel image of an encaustic mixed media painting by Janet Fox titled "She Chi."
She Chi | encaustic mixed media

This complete art piece includes 7 squares, each representing one of the chakra regions of a human being.

I emphasized the orange, second chakra area, with thin o-shaped coils of handwritten, egg and ovary-themed notepaper embedded in multiple layers of pigmented encaustic. A variety of round or egg-shaped beads fill many, but not all of the coils. Finally, the feminine charm in the painting’s center, perhaps symbolizing a sort of kundalini experience, provides the energy to push forth its truth.

 For information about viewing or purchasing this artwork, contact Janet Fox.

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The Little Girl’s Dream

A sneak peek of "The Little Girl's Dream," an encaustic artwork (sold)
The Little Girl’s Dream | encaustic mixed media on wood (sold)

The Little Girl’s Dream is an encaustic painting reflecting on the earliest dream I recall ever having. The image above is a sneak peek at part of it.

I’ll present about both at DREAM ART: Connecting to the Dream World through Art, Annilee Oppenheimer and Janet Fox, at the Jung Society of Washington on Friday evening, October 13th. Ms. Oppenheimer will begin introducing the topic of dreams and dream circles. I’ll follow with a recounting of my first dream and my process of creating this artwork. I’m looking forward to lively conversation.

One thing I can reveal now is that while creating this painting, I came upon stories of Vasilisa and her trek to find Baba Yaga.

Which also led me to this wonderful performance of Mussorgsky’s Baba Yaga.

This is so much fun already… dream on!

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CityScape Escape

Image of an encaustic and ink painting by Janet Fox titled "CityScape."
CityScape | encaustic and paper (sold)

Escaping in a Cityscape

I recently took a trip to Brooklyn, New York, to relax, see some art, and enjoy the cityscape. While there, I visited the awesome artworks in the Brooklyn Museum. Here’s a bit of how my rejuvenating day went…

First of all, imagine having a yummy brekky and a spiced chai concoction in a gluten-free friendly cafe on a lazy, sunny Saturday morning. Next, we meander along the city sidewalks, gazing at this and that in an assortment of interesting stop windows. Along the way, we discover it’s also an open art studio weekend.

Walking half-way down the block, we see an open studio. So we climb the steps and enter artist Doug Beube‘s studio and gallery. We are absolutely WOWed by his beautiful bookwork, collage and mixed media art! After spending an hour exploring and enjoying his work and chatting, we decide to buy his book, Breaking the Codex. (Mr. Beube’s website has a fantastic variety of his art; I think you’ll be amazed, too!)

As a result of our visit, we have a renewed sense of creative energy and continue our journey to the museum.

Almost to the Museum now, we see lots of people in motion, moving this way and that. Some are sitting, soaking up the sunshine. As we sit for a bit at the Museum front plaza, imagine looking down from the sky and seeing all the others arriving from different directions.

Discovering ancient encaustic paintings

Imagine now, entering the Museum and roaming lazily through the exhibits. Suddenly to my surprise and delight, I discover the famous ancient Fayum Mummy portraits on display on a wall across the room! I recognized them immediately but didn’t realize they were in the Museum. These paintings are some of the earliest known pieces using encaustic paint, which has become my favorite medium. As a result, photos of them are in many books about encaustic painting.

My favorites include Noblewoman and Mummy Portrait of a Man. I stand mesmerized and study them for what felt like a very long time. So many questions swirl in my head. Who, specifically, painted them? What techniques did she or he use? Finally, did the painters back then have any inkling that many, many generations later, half-way around the world, people in Brooklyn would be viewing and appreciating their art with awe?

About Cityscape

I set out creating Cityscape by starting with one of my earlier paintings, Unwinding. After heating and scraping away the paint, I added new layers of paper shapes and encaustic paint and medium. The rainbow of colors and shapes the diversity of people, structures, green spaces and energy. Going to the city to unwind and discover somethings old and new can be quite rejuvenating!

How do you unwind in the city?

 For information about purchasing a similar artwork, contact Janet Fox.

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Hoppin’ Around Kensington

Image of an encaustic painting by Janet Fox titled "Hoppin' Around Kensington."
Hoppin’ Around Kensington | encaustic

Hoppin’ Around Kensington

The 2016 Kensington “Paint the Town” Labor Day Weekend Art Show is September 3-5, 2016. One of the requirements for artists participating in this annual show is to create a painting inspired by is Maryland town. The town co-sponsors the event with the Montgomery Art Association.

In recent years, I painted the town clock across from the Kensington train station, the carved wooden eagle statue in Veterans Memorial Park and the old millstone in Flynn Park. I used encaustic for each of these paintings, realistically portraying the subject. This year, however, I decided to take a more abstract path.

About Hoppin’ Around Kensington

My 2016 “Paint the Town” entry is based loosely on a map view of the streets around the Kensington Town Hall / Armory, at 3710 Mitchell Street. I fused several layers of green and yellow shapes, in paper and encaustic representing street blocks in a map view. The green and yellow mirrors the colors on many of street markers and signs around town as well as the town clock.

This painting will be at the MAA’s “Paint the Town, 2016” Labor Day Weekend Art Show. If you’re in the area then, stop on by. I’m also showing 5 other encaustic paintings and many new pieces in my black art bin. Plus, you’ll find many other artworks by artists from the Montgomery County, Maryland region.w.

 For information about purchasing this artwork, on exhibit in the Kensington Town Hall Chamber Room, contact Janet Fox.

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Circling Back

Image of an encaustic painting by Janet Fox titled "Circling Back."
Circling Back | encaustic (sold)

Circling back around

The end of 2015 has come and gone and we’re circling back around into a new year. Reflecting on last year, I saw various “Best of 2015” lists. What were the best movies, music and photos? Most compelling stories? Loveliest moments? Scariest events? What have we learned? What have we struggled with that needs more time to figure out?

On a personal level, I’ve felt a strong urge to sort through things, clean, rearrange, recycle what I no longer need, find new homes for reusable items, and discard what’s too worn to be useful. Some of this work is a sort of ending. And colder winter weather also keeps me inside more so it just feels like a great time to do these tasks.

Timing of new beginnings

Closing out an old year, while taking time with family and friends, allowed me to reflect on what is important. I’ve not been a big fan of New Year resolutions, but having a re-start date can be useful to focus on self improvements. This informative and humorous article by Elahe Izadi in The Washington Post points out why the new year starts on Jan. 1, noting it is a terrible time for renewal.

For me, though, the gradually increasing amount of daylight after the Winter Solstice on December 21st brings feelings of new growth. (Getting gardening seed catalogs in the mail help that along, too.) But I know the first of the year is not the only time for new growth.

Clean space for something new

With things I no longer need cleared out, I now have a blank space (or a blank canvas) to explore, create and fill. But what will I do and create? Something brings me back around to the words of the late Joseph Campbell, the famous American scholar of world mythology. His answer when asked this kind of question was “to follow your bliss.” The Painter’s Keys Art Quotes has this great list of Joseph Campbell quotes. I hope you enjoy them!

So I’m trying to stay aware and recognize what brings me happiness and joy so I can fill my space with more of that. Creating art and exploring my and others’ dream realms are a few of the blissful, energizing paths I am on.

About Circling Back Around

In this contemporary encaustic painting, I created roundish shapes and paths. Layering papers and colors reminded me of how I often repeat similar things, although no two times are identical. I chose a thin silver cord for skipping around, for a light feeling.

So here we go again, but with another year of experience under our collective belt. What changes need to be made… and can we muster the courage and energy to make them?

What blissful paths are you following?

  For information about commissioning a similar artwork, contact Janet Fox.

Comings and Goings aka Orbit Machine

Image of an encaustic painting by Janet Fox titled "Orbit Machine #7."
Comings and Goings (aka Orbit Machine #7) | encaustic

Launching into orbit

Life is so busy. There’s much movement every day. I wake up and find the energy to launch from my home base, going to this place and then the next one. At the end of the day, I return home.

These paths feel like a sort of orbit, circling around my home but always returning to it.

Crossing paths

While traveling, I cross over streets and boundaries. My path intersects with many others. Sometimes our paths align and we travel together for a while. When we’re together, we interact in countless ways.

Moving around

The transportation machines of modern life, like bikes, cars, transit and planes, physically move us around.

Technology enables us travel even further, going to far-away countries, interacting with people around the globe, and connecting in online meeting spaces.

Spacecraft, like NASA’s New Horizons, take us to the far reaches of our known world, circling back to us through images sent through space.

Books transport the reader to real and imagined settings. Spiritual practices help us get to mystical, non-physical states.

About Comings and Goings (aka Orbit Machine #7)

This encaustic art, Comings and Goings (aka Orbit Machine #7), represents the motions of life moving around in a weekly cycle. First going here, then there, then over there, and circling back around to home. I layered colorful pastel-infused papers fused in encaustic media in this three-piece painting, cutting grooves to fill in more colors.

Where do your daily travels take you?

  For information about purchasing this artwork, contact Janet Fox.Save

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Breathing Meditation

Image of an encaustic painting by Janet Fox titled "Breathing Meditation - Revised."
Breathing Meditation (revised) | encaustic

Focus on breathing

We all must do it to live. Breathe in. Breathe out. Repeat.

From the moment we are born until the moment of death, we repeat this continuous cycle taking in air with the essential oxygen needed to break down food into energy. After, we exhale carbon dioxide and water as waste.

With breathing as a metaphor for life, we continuously take in new things, deciding which to integrate within us and letting go of the rest. What do you keep? What do you let go of?

Focusing on the breath

In many meditation practices, an important way to quiet the mind is to focus on breathing.

Focusing on my breath has helped me calm down and work through pain and difficulties. While belly breathing, I mentally focus on the points between the breaths, too. At the end of the inhale, I gently contract a painful muscle or hold a difficulty in my mind. I then focus on releasing it with the exhale. At the end of the exhale, I envision ratcheting down the original stimulus. After a few minutes, I usually feel better.

About Breathing Meditation

I chose a four-color scheme in this encaustic painting to represent the inhale, exhale and the points in-between. The red represents the inhale, focused on energized and raw pain or difficulty. The violet is the point of maximum inhalation and can be a point of remembering, contracting or holding. The green represents exhalation, letting out waste air and also releasing pain and difficulty. Finally, the white transitions back to the beginning of the breath, a bridge between the ending and a new beginning. The bottom section shows how the strength of each step can change over time.

How does it feel when you focus on your breath?

 For information about purchasing this artwork, contact Janet Fox.

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Art Cathedral Glass

Image of a mixed media painting by Janet Fox titled "Art Cathedral Glass No. 1."
Art Cathedral Glass No. 1 | mixed media

Beautiful cathedral glass

Traveling is a great way to pull out of routine, learn about other places and people, explore questions, and expand one’s views. It’s also a great way to find inspiration.

I recently traveled to Switzerland. While there, I happened into the Grossmünster cathedral in Zürich, where I discovered the most beautiful stained glass windows. One of them, the Achatfenster (translated to “Agate Window”) by Sigmar Polke, captured my imagination. It appears as slices of agate melded together, very earthy yet opaque. I haven’t seen anything like it.

Why do so many cathedrals, churches and other iconic buildings have stained glass? The beautiful windows are purposely placed where many can appreciate and be inspired by them. Did you know that stained glass windows have been described as ‘illuminated wall decorations?’ Wikipedia has a wealth of information about stained glass.

Creativity in infinite forms

I think of creativity as a sacred gift. People are creative in a tremendous variety of ways including visual arts, music, writing, poetry and dance. Creativity is also required to invent tools and products, design and build structures and communities, grow and prepare food, practice medicine, solve complex computer engineering problems, and more. Parenting and relationships with others and our environment require creativity, too.

I practice my creativity, in part, by making art. I enjoy the sense of peaceful meditative energy while in my studio.

How do I view and care for my art?

How do I view the fruits of my creativity? As my interests, subjects and techniques change, what do I do with earlier work? How do I present my art to others? Do I try to ensure my art finds a good home?

For “Art Cathedral Glass No. 1,” my goal was to celebrate the mysteriousness of dreams. I cut shapes from several paintings containing thoughts penned after dreaming and chose colors to unify them.

After setting the art “glass” in the cathedral wall, I enhanced the window with a a bit of fluorescent paint. If viewing the painting with color LED or ultraviolet lights–such as those designed by SaikoLED–the viewer can see another perspective.

This painting celebrates my creativity, both from dream inspiration and my art studio, displayed as an art cathedral glass.

How do you practice and care for your creativity?

  For information about purchasing this artwork, contact Janet Fox.

Holding It All Together

Image of an encaustic painting by Janet Fox titled "Holding It All Together."
Holding It All Together | encaustic (sold)

What are the ties that connect and hold us together?

Recent conversations with a family member have got me to thinking about my grandparents, great-grandparents and the many relatives in the generations that came before. Where did they come from? What kinds of lives did they have? What were they like?

Shared genes, names, homes, experiences and memories held them together. Why did some drift apart or let go of what they had to start new lives in distant lands? When they went elsewhere, how did they create new connections and families? Might I discover distant connections if I explored histories of my current friends whose ancestors also came from similar places?

Families come in many different forms

According to Merriam Webster, family definitions include a group of people who are related to each other, a person’s children or people with common ancestors. Many also consider their closest friends as chosen family, since they often grow together through significant shared experiences.

In honor of all families, here’s an upbeat little musical clip that I think you will enjoy!

Piecing things together through art

My family includes many quilters who cut shapes, sewing them together in various designs. They find fabric in thrift stores, usually pieces recovered in someone’s attic. They use outgrown children’s clothes, dad’s ugly ties or a son’s t-shirts. Some pieces are new from a fabric store. With imagination, these quilt artists sew something beautiful and lasting.

I was thinking about my family’s quilters as I pieced together small scraps of my mixed media paintings for this mini art quilt. After selecting the pieces, I carefully cut out and stitched around each block with gold thread and then joined these blocks together over a thin paper backing. The result is this 3-D artwork, fused in encaustic over a wood base, with several pieces spilling over the wax edge.

What things and what threads do you hold together?

  Feel free to add your note about this post or view others’ thoughts by clicking “Leave a Comment / Comments,” below.

  For information about commissioning a similar artwork, contact Janet Fox.