Life is so busy. There’s much movement every day. I wake up and find the energy to launch from my home base, going to this place and then the next one. At the end of the day, I return home.
These paths feel like a sort of orbit, circling around my home but always returning to it.
While traveling, I cross over streets and boundaries. My path intersects with many others. Sometimes our paths align and we travel together for a while. When we’re together, we interact in countless ways.
The transportation machines of modern life, like bikes, cars, transit and planes, physically move us around.
Technology enables us travel even further, going to far-away countries, interacting with people around the globe, and connecting in online meeting spaces.
Spacecraft, like NASA’s New Horizons, take us to the far reaches of our known world, circling back to us through images sent through space.
Books transport the reader to real and imagined settings. Spiritual practices help us get to mystical, non-physical states.
About Comings and Goings (aka Orbit Machine #7)
This encaustic art, Comings and Goings (aka Orbit Machine #7), represents the motions of life moving around in a weekly cycle. First going here, then there, then over there, and circling back around to home. I layered colorful pastel-infused papers fused in encaustic media in this three-piece painting, cutting grooves to fill in more colors.
Where do your daily travels take you?
⇒For information about purchasing this artwork, contact Janet Fox.Save
Looking around, I see countless things created by people. Everyday items, clothing, furnishings, vehicles, buildings, highways, technology and so much more… all human made. Starting with an idea or inspiration, people collaborate to develop the materials, tools and processes to translate ideas into physical objects. As a society, we invest much in our human creations.
Likewise on a personal level, I’ve worked hard and invested time, money and energy on the things that enliven my life, experiencing the creative process and learning along the way. For example, I’ve filled many a dream journal, capturing decades of dreamtime stories along with the wake-time reflections from my individual study and within dream groups.
When is it time to let go?
After I finish a creative project, I enjoy the fruits of my labor for some period of time. At some point, though, my focus drifts and shifts to something new. And after a while, I wonder what to do with all of the things I’ve accumulated, especially those things I no longer need?
Many items, like photos, school mementos and art I created back when, I’ve stored away. I rarely look at them but when I do, they help me remember special parts of my life journey. I suppose that is why I’ve found them valuable enough to keep.
With other accumulated things that don’t rise to that level of meaning, I feel that my closets and living space are too crowded. And, no, I don’t want to find a bigger space to grow into.
When I feel too crowded, I sometimes teeter back-and-forth thinking of how much I’ve invested in those things versus my desire to simplify. Do I have the time and energy now to sort through them? How do I prioritize my time? Do I procrastinate or fall into the mode of when something is out-of-sight, it is also out-of-mind.
In my art studio, when it’s too crowded, I have a hard time starting something new.
Cleaning, sorting, reusing, recycling, recreating
Growing up, my mom taught my siblings and me to clean out our dresser drawers, closets and desks several times a year. We often did these house-cleaning rituals over school breaks when seasons changed and as we outgrew our cloths. We didn’t have the luxury of a big house, so we learned to let go of outdated and outgrown things. It usually felt great after the clean-out, as we were also creating space for new things.
I also worked professionally for many years in the recycling field. I thought a lot about ways to reduce, reuse and recycle the materials of daily life. Whenever a new technology became popular, recyclers received the outdated discards to be reused or re-created into something else. Or if there wasn’t a market for the items, they were disposed of.
And how do I manage my personal things? Am I a pack-rack, sentimental, procrastinating or too busy to sort through things I no longer need (or all of the above)? I’ve invested much of my energy creating, but it also takes energy to hold onto things. In a desire to simplify, I know I need to let go of things.
I’ve found joy in giving items to friends and family. I’m thankful to live in a neighborhood with a very active list serve; people daily post items to give away or ask to borrow infrequently used things. I’m also thankful for the many charities that make it super easy to schedule donation pick-ups.
In my art studio, it’s time to go through my stash of dream journals. I’m revisiting especially vivid dreams. Other more ordinary dreams, I turn the page over.
About Turn the Page
My dreams represent a chunk of my life and a bit of my creative energy… first the dream, then the writing of it, then thoughts and discussion. I especially enjoy creating art inspired by my more vivid dreams.
Having studied my dreams for almost 20 years, I’ve accumulated a large shelf full of dream journals. In them, I’ve written many dreams and wake-time reflection from on my own or from others in a dream group.
This 3-dimensional art, Turn the Page, was once a dream journal covering 99 days of my life from back when. I re-read the pages and saved the ones I wanted to work on again. After, I folded in the remaining pages, inserted colorful papers with encaustic, and sewed the folded edges together using my favorite color of embroidery floss. This piece is the first in a series of dream journals I’m letting go of. Somehow, this feels really good to re-create.
How do you part with personal things you no longer need?
⇒For information about purchasing this artwork, contactJanet Fox.
I’m thrilled to be theBethesda (MD) Public LibraryFeatured Artist from July 1-31, 2015! I invite you to stop by to see a selection of 12 art pieces. In addition to the art, I have included companion text about each piece.
This solo exhibit “Dream Themes and Art Flows” focuses on four themes: water, crossings, balance and energy.
I chose these themes because I often dream or think about them. And while making art, I often find myself lost in the creative process, losing track of time in a sort of “art flow,” similar in many ways to what others describe while exercising or highly focused on other activities.
The 3-D piece shown above, Turn the Page, is part of a new series transforming some of my dream journals into art. My next post will explore more on this topic.
Dreamtime Journey to Somewhere, focuses on crossing over the boundary from waking consciousness into the realm of dreams. More about this art piece is in my post “Dreamtime Journey to Somewhere.”
Dreamscape… I’m in my apartment. Someone tells me to be very careful moving around because a scarlet boa constrictor has somehow gotten in. I creep slowly in a circular fashion through the living room, dining room and kitchen. I see it, coiled up in a corner next to a big basket. I know I must catch and remove it. For if it bites me, I will be poisoned and get extremely sick or die.
What is a scarlet boa?
With vivid and colorful dreams like this one, I enjoy researching the symbols and actions to explore connections that cross over into waking life. For example and to my amazement, I discovered there actually is a boa that’s partly red. Originally from tropical areas, the “boa constrictor constrictor” is also known as the red-tailed boa. Here’s a beautiful Wired photo of one and some interesting red-tailed boa facts from animals.mom.me. Many people have them as pets, as they are nonpoisonous. They can grow to more than 10 feet long, 50 pounds in weight and 30 years old in captivity.
As the name suggests, boas kill their prey by squeezing it to death. They are carnivores and eat small rodents, amphibians, snakes, and birds. They don’t eat people and are nonpoisonous. So within this dreamscape, what I thought I knew was not entirely correct and was, unnecessarily perhaps, causing me to be cautious and afraid. Nevertheless, I’m not a snake person and didn’t want to live with one in my space. But how on Earth did a boa, and a scarlet one at that, get inside my living space? Was it living in the blackberry patch outside and got lost?
The boa’s transformation
While previously working with this dream image, I created a painting of a large, coiled red snake. I placed it safely behind bars inside a cage. Recently, I cut apart this painting, transforming it into the three artworks in this post.
The first piece, at the top of this post, symbolizes the bridge from dream time to waking time.
The second painting symbolically moved the boa back outside. I put this one in a sunny blackberry patch, where I’ve seen other snakes.
Since it is springtime with new growth appearing everywhere, I recreated the boa in the third piece. This new bloom appeared. The blossom’s color reflects a glimmer of its scarlet past.
How would you make something scary safe?
⇒For information about commissioning similar artwork or, contactJanet Fox.
I’m thrilled to be the Montgomery Art Association‘s Featured Gallery Artist from May 5-31, 2015! I invite you to stop by to see a larger selection of my art and also come to the reception on Sunday, May 17 from 1 – 5 PM at MAA’s Gallery in Westfield Wheaton, in Wheaton, Maryland. I’ll also be at the Gallery several other times in May, so if you would like to meet, send me a message so we can coordinate a time. Hope to see you there and thanks for all your support and best wishes! Note that MAA’s previously announced Gallery closing has been reversed.
In waking life, I often think about where I am going. I seek immediate and longer term answers. I equally think about sleep-time journeys. Dream settings, characters and actions can be so fantastical. While dreaming, I’ve been in structures and vehicles, on land and over mountains. I’ve flown above and through the treetops, leaped off cliffs and visited under water. I recognize some places, while others are unfamiliar. Sometimes I know who I’m with; other times I don’t.
Do I choose these travels?
Dreams take me on travels magical, heavenly, spiritual, mysterious, fantastic and scary. Sometimes the feeling is very calm; other times action-packed. Before falling asleep, I like to focus on a question or something that I need guidance about. If I remember a dream upon waking, I enjoy reflecting on both the dream story and the question. Over the years, I’ve learned my unique internal language. I continue to be intrigued and full of wonder by these night-time wanderings.
For this encaustic painting, I used some of my favorite colors… copper and aqua-marine or turquoise. I wanted to capture the idea that dreams are mini-journeys in the dark, guided by the reflected light of the moon, and often with a surprise on the other side. Somehow the saying, “All who wander are not lost,” seems to fit.
⇒For information about purchasing this artwork,contact Janet Fox.
We all must do it to live. Breathe in. Breathe out. Repeat.
From the moment we are born until the moment of death, we repeat this continuous cycle taking in air with the essential oxygen needed to break down food into energy. After, we exhale carbon dioxide and water as waste.
With breathing as a metaphor for life, we continuously take in new things, deciding which to integrate within us and letting go of the rest. What do you keep? What do you let go of?
Focusing on the breath
In many meditation practices, an important way to quiet the mind is to focus on breathing.
Focusing on my breath has helped me calm down and work through pain and difficulties. While belly breathing, I mentally focus on the points between the breaths, too. At the end of the inhale, I gently contract a painful muscle or hold a difficulty in my mind. I then focus on releasing it with the exhale. At the end of the exhale, I envision ratcheting down the original stimulus. After a few minutes, I usually feel better.
About Breathing Meditation
I chose a four-color scheme in this encaustic painting to represent the inhale, exhale and the points in-between. The red represents the inhale, focused on energized and raw pain or difficulty. The violet is the point of maximum inhalation and can be a point of remembering, contracting or holding. The green represents exhalation, letting out waste air and also releasing pain and difficulty. Finally, the white transitions back to the beginning of the breath, a bridge between the ending and a new beginning. The bottom section shows how the strength of each step can change over time.
How does it feel when you focus on your breath?
⇒For information about purchasing this artwork, contact Janet Fox.
Why do so many cathedrals, churches and other iconic buildings have stained glass? The beautiful windows are purposely placed where many can appreciate and be inspired by them. Did you know that stained glass windows have been described as ‘illuminated wall decorations?’ Wikipedia has a wealth of information about stained glass.
Creativity in infinite forms
I think of creativity as a sacred gift. People are creative in a tremendous variety of ways including visual arts, music, writing, poetry and dance. Creativity is also required to invent tools and products, design and build structures and communities, grow and prepare food, practice medicine, solve complex computer engineering problems, and more. Parenting and relationships with others and our environment require creativity, too.
I practice my creativity, in part, by making art. I enjoy the sense of peaceful meditative energy while in my studio.
How do I view and care for my art?
How do I view the fruits of my creativity? As my interests, subjects and techniques change, what do I do with earlier work? How do I present my art to others? Do I try to ensure my art finds a good home?
For “Art Cathedral Glass No. 1,” my goal was to celebrate the mysteriousness of dreams. I cut shapes from several paintings containing thoughts penned after dreaming and chose colors to unify them.
After setting the art “glass” in the cathedral wall, I enhanced the window with a a bit of fluorescent paint. If viewing the painting with color LED or ultraviolet lights–such as those designed by SaikoLED–the viewer can see another perspective.
This painting celebrates my creativity, both from dream inspiration and my art studio, displayed as an art cathedral glass.
How do you practice and care for your creativity?
⇒For information about purchasing this artwork, contact Janet Fox.
What are the ties that connect and hold us together?
Recent conversations with a family member have got me to thinking about my grandparents, great-grandparents and the many relatives in the generations that came before. Where did they come from? What kinds of lives did they have? What were they like?
Shared genes, names, homes, experiences and memories held them together. Why did some drift apart or let go of what they had to start new lives in distant lands? When they went elsewhere, how did they create new connections and families? Might I discover distant connections if I explored histories of my current friends whose ancestors also came from similar places?
Families come in many different forms
According to Merriam Webster, family definitions include a group of people who are related to each other, a person’s children or people with common ancestors. Many also consider their closest friends as chosen family, since they often grow together through significant shared experiences.
My family includes many quilters who cut shapes, sewing them together in various designs. They find fabric in thrift stores, usually pieces recovered in someone’s attic. They use outgrown children’s clothes, dad’s ugly ties or a son’s t-shirts. Some pieces are new from a fabric store. With imagination, these quilt artists sew something beautiful and lasting.
I was thinking about my family’s quilters as I pieced together small scraps of my mixed media paintings for this mini art quilt. After selecting the pieces, I carefully cut out and stitched around each block with gold thread and then joined these blocks together over a thin paper backing. The result is this 3-D artwork, fused in encaustic over a wood base, with several pieces spilling over the wax edge.
What things and what threads do you hold together?
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⇒ For information about commissioning a similar artwork, contact Janet Fox.