Janet Fox Featured Artist Reception – Dance of Dreams Art Exhibit
You’re invited to my “Dance of Dreams” Art Exhibit Reception at Simon Says Yoga to see many of my dream-inspired artworks. Special Guest May Kesler will perform interpretive dances for two of the dream paintings. Located at 4611 Sangamore Rd, Bethesda, MD 20816, the exhibit continues until October 30, 2019. The turquose and copper painting on the right side of the image is part of my painting, Dreamtime Journey.
Alexandra Sherman, September’s Featured Artist, will also close her art exhibit at the September 27 Reception.
Shedding Fear is an original encaustic mixed media painting inspired by a series of vivid dreams which began many years ago. In each of the dreams, a bright red snake takes center stage. Most often, it is a scarlet boa constrictor. In the following dream, however, a scarlet cobra is the main character…
Once upon a dreamscape, a woman discovers a giant cobra in her house. It is about 10 feet long and if she startles it, the cobra puffs up its cobra neck, hisses, and scares the bejeebers out of the woman.
She loses sight of the cobra. The woman and her male companion now crouch on the top of a tall bookcase, hunched into a ball because they are close to the ceiling. They want to be sure they are as far away from the cobra as possible. Then the woman takes a peek at the bookcase shelf right under them and realizes the cobra is right there, all coiled up, too! Now what?
The woman and her companion have now magically moved around the room and then around the house in and out of various rooms. Scarlet cobra is always close by and after a while, it doesn’t seem to mind us, and we don’t mind it either. We get used to each other, and Scarlet only hisses if I get too close. I marvel at Scarlet’s bright color; the red is so vivid and energized. I realize I’ve seen a bright red snake, but a boa constrictor, in my dreams before. So I realize I am in a lucid state. I’m no longer afraid of Scarlet and realize she’s not really poisonous, after all. I awaken with a feeling that something important has shifted.
A colorful dream character calls out
This dreamscape especially grabbed my attention because I was aware that I was dreaming and in a lucid state. I only occasionally have lucid dreams, so I definitely pay attention when I do. Within the dream, I remembered encountering scarlet boas before, but the only places were within past dreams. And having previously explored and created art based on those earlier dreams, I have an idea what this colorful character means – for me. Some examples and art inspired by those previous dreams are Transformation of a Scarlet Boa.
Curiously, when I’ve shared this dream with others, they’ve responded generally in two ways. If they have a fear of snakes, they react by stepping back and saying how much snakes scare them. Others are fascinated by snakes, leading them to take a very close look. Both can lead to lively conversations!
While researching this topic, I came across, “Snake Dreams and their Hidden Meanings,” by author Amy E. Brucker on The Dream Tribe. In it, Ms. Brucker explores various snake imagery throughout history. I was intrigued further by her focus on the healing aspects of the snake.
So in this episode in my scarlet snake dream series, I had a healthy fear of its danger. But, somehow, I also learned to live with this it in my space. When I shift my perception from fear to healing, the dream takes on a whole new feeling and ah-ha! Perhaps in my own shift, my companion learns to live with the healing snake energy, too.
What do we fear?
This is an intriguing question with as many different answers as there are people. There are so many things to be afraid of… being terribly sick, having a horrible accident, losing someone close, being in the wrong place at the wrong time, etc. We each have our own fears to face. And how can we go about shedding fear?
One of my favorite quotes byauthor Marianne Williamson, in “A Return to Love: Reflections on the Principles of “A Course in Miracles” (1992). I’ve also seen this quote mistakenly attributed to Nelson Mandela.
Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness that most frightens us. We ask ourselves, Who am I to be brilliant, gorgeous, talented, and fabulous? Actually, who are you not to be? You are a child of God. Your playing small does not serve the world. There is nothing enlightened about shrinking so that other people will not feel insecure around you.
We are all meant to shine, as children do. We were born to make manifest the glory of God that is within us. It is not just in some of us; it is in everyone and as we let our own light shine, we unconsciously give others permission to do the same. As we are liberated from our own fear, our presence automatically liberates others.
And here’s a fun take on snakes – Bela Fleck’s Snakes Alive musical creation.
About Shedding Fear
This 15″ x 15″ encaustic art piece is also inspired by an actual snake skin, one that I found in my garden compost bin. I assume the snake that molted was either hiding really well or long gone. Looking at this snake skin up close, it was very thin and fragile. With rectangular, oblong, and smaller oval segments, I marveled at its construction and form. The head portion had space for the snake’s eyes and mouth. I had to hold it very carefully, very gingerly. Which also got me to thinking about fear. Could fear be thin and fragile, too? If I could just let it go, would it shrivel up and crumble?
Next, after creating the main painting of the shed skin up close, I created the miniature snake from paper clay, then painted it to resemble a Scarlet Boa, but with a bit more red.
Then to finish it, the miniature Scarlet Boa needed to be resting on, wait for it… a bright red feather from a fluffy scarlet feather boa!
⇒For information about viewing or purchasing this or related artwork, contact Janet Fox. Check out my Encaustic Portfolio for several smaller companion pieces.
Sometime in the 1990’s, I went to a workshop to learn how to make a seven-sided drum head. A Native American man led the workshop and shared a beautiful story of a quest. Each side of the drum head represented one day in the story. Although I no longer recall his story exactly, it influenced my version…
Once upon a dreamtime, a very curious girl was outside, dancing freely and twirling around in her secret garden. She spent many hours there, tending to the flowers, herbs, vegetables, fruit, and all the creatures living there. The girl loved to bathe in the aroma of the sweet flowers, run through the basil, dill and thyme, and gently crumple the rich soil between her fingers before planting seeds.
After many days and nights, she became restless. She wondered what was beyond the garden. Leaving the garden she loved and knew so well was scary. But something was calling to her, so she called up her courage and prepared for her journey to find what was calling – to find a treasure.
On the first day, she heard an infant cooing, so she followed her to the east, all the way to the sea, but she did not find the treasure.
Next, on the second day, she followed a little girl to the west, over the farthest and highest mountains. But the treasure was not there, either.
Then on the third day, she met a fierce maiden, and together, they went to the north, over the frozen tundra and icy glaciers. Once again, they did not find the treasure.
Now on the fourth day, she saw a great commotion and in the middle, found a bride. Together, they went south and through the great tropical forests to the farthest point possible. They looked and looked, but they did not find the treasure there.
On the fifth day, she came upon a mother. Together, they flew up, through the clouds, past the moon and the sun and stars and back. No matter how far they went, they could not find the treasure.
But she would not give up. On the sixth day, she met an old grandmother in the shadow of a tree by the seaside. They went down, under the sea and to the bottom of the deepest ocean canyons and caves. But after all of the swimming and searching, they still did not find the treasure.
The seventh dawned and the girl was very discouraged. She had gone in every direction she knew of to find the treasure and didn’t know where else to turn. Then in the middle of the garden, in the tall grasses, she noticed a Scarlet Boa. She had seen it before from afar, but during all her time exploring in the garden, she had not found the courage to look at it up close. Mustering all of her energy, the girl gazed at it and soon noticed its beautiful skin of smooth scales in all shades of red, rose, and burgundy.
While the girl did not know it, the Scarlet Boa had been with her on all of her travels, watching over her for her safety. She began to understand that it was her spirit animal, her friend and protector. As the girl watched, the scarlet boa began dancing and twisting around in circles. She was mesmerized and lost track of its tail… and then she realized that was because it was swallowing it!
Suddenly, she knew exactly where to turn to find her treasure. There was one more direction yet to go, one that she hadn’t even thought of to explore.
The girl closed her eyes, quieted her mind, and began counting her breaths in and out. At first, it was quiet and dark but as her eyes adjusted, she began to see the tiniest pinpoint of light coming from a place deep within. As she ventured toward it, the light very gradually grew in size, beckoning her to come closer. As the girl did so, she was overcome by a loving warmth, the greatest peacefulness she had ever experienced. For she had discovered her treasure; it was inside of her all along. At last, she had discovered her center, and she was at home.
Finding “Home” within
Does this story resonate with you? In my experience, I’ve had many times when I didn’t know what to do, so I looked outward for guidance. I spent many days, months, and years looking. But somewhere along the way, someone asked me to hold up my hand and point to the place where I’d look next. And then, as my index finger pointed outward, they asked me what my other three fingers were doing.
Those other three fingers pointed back at me, directly towards my own center. Ah-haaa!
Looking internally, I began to discover the wondrous, mysterious world of my dreams. That was a long time ago and my dream explorations have been so lively and rich, with many ah-ha moments, especially when sharing with a friend or within a trusted dream group. I’ve also enjoyed dialoging with and honoring my dreams, especially through making art (many examples which are on this site). And although my dreams have personal meanings and significance, I’ve also learned that others taking on one of my dreams-as if it were there own-can find their own ah-ha’s. And I’ve discovered my own ah-ha’s when I’ve taken on their dreams, too. I feel so alive when this happens!
What is a mandala?
According to Wikipedia, in common use, mandala has become a generic term for any diagram, chart or geometric pattern that represents the cosmos metaphysically or symbolically; a microcosm of the universe. Carl Jung Resources describes mandala as “a graphical representation of the center, (or Self), which can appear in dreams and visions or it can be created spontaneously by drawing.” It’s easy to get absorbed in making a mandala – figuring out symmetry, adding symbols, filling in shapes with colors and details.
Seven Directions Mandala is an original encaustic painting, with pastel, shellac, and ink. I enjoy the garden, flowers, and energy in this story. The seven sections are for each direction, and the colors represent the energy chakra regions of a human. Somehow, all of these ideas came together for me in this painting. What do you see in it? Enjoy!
⇒For information about viewing or purchasing this artwork, contact Janet Fox.
Sleep-time dreams have fascinated me since I was a child. Often, I wake up with an adventure of some kind to write down in my dream journal. But when I awoke on a late February morning, I had no memory of a dream. Instead, I learned that I had been talking in my sleep. Intrigued, I created Two Fish in the Pool. In my slumber, I had said these words: “I put two fish in the pool. In the POOL!”
Why two fish? What kind of pool? Why did I put them there? Did it remind me of anything or any place where I’ve been before?
I remembered a former home where we built a small fish pond with a waterfall in the back yard. We filled the little pond with a few beautiful koi and also some feeder goldfish rescued from the bait and tackle shop. It was very relaxing to sit by the pond, watching the fish swim around and come to the surface when we dropped food pellets into the water and sometimes chase each other. It was also a fantastic “in the moment” meditation spot: listening to the sounds of the water, the birds chirping, and the road in the distance. Combined with sweet aromas of water lilies and other garden plant, I would sometimes gently tap on my drum. If conditions were right, at a certain point it all melded together, like being in a symphony with the surroundings. It was such a refreshing experience and warm memory.
I also went googling to see what text, images, or ideas would strike my fancy. Searching for “two fish” led to me Pisces, the zodiac sign for people born between February 18th – March 20th. Since this experience occurred during this period, I decided to continue exploring this idea in my art studio:
The images of Pisces showed two fish swimming in opposite directions. But as I created some mock-up pieces, what I painted was less direction-ally defined. For although the two fish are going in opposite directions, they could just as easily turn and chase each other in a playful or frantic circle.
I’ve often dreamt of water, either being close to the shore, walking in the waves, or completely submerged and in a different underwater realm. This painting focused on the narrow space, just below the surface of the crystal clear water.
I used my favorite turquoise and copper orange family of colors in this 12″ x 12″ encaustic painting on a cradled board. After carving the scales, fins, and other marks into the encaustic, I filled in with more color. The finishing touches were those sleep-spoken words and, for good measure, a Pisces symbol ♓.
⇒For information about viewing or purchasing this artwork, contact Janet Fox.
Merci Mère (Thanks Mother) is an original, encaustic mixed media painting. With aqua, gold and ivory paint and papers, as well as shellac burn technique, it includes these simple words from a French storybook dictionary.
Creating something new, without a specific outcome in mind, can be a wonderfully relaxing process. In this painting, I began by collecting and gathering the various elements: art papers in my favorite colors, with some incorporating leaves.
Next, I arranged and re-arranged these elements, until I found a design I found pleasing. Layering the papers added depth. Carved hexagon shapes, of various sizes, as well as a shellac burn and text, adds interest and intricacy. The finished artwork is 12 inches by 12 inches.
⇒For information about viewing or purchasing this artwork, contact Janet Fox.
She Chi is an original, 7-panel, encaustic mixed media painting inspired by an amazing springtime dream that went something like this…
Once upon a dreamscape, a woman was spending a quiet spring evening in a peaceful secluded park at the edge of a forest. Positioned up a bit on a hillside, she sees train tracks over yonder with a very unusual train. The train’s cars were open face, with flat beds and many cozy spaces.
One of the cars, toward the back, is humming with a lot of motion. As she zooms her eyes and focuses in, she realizes the car is full of something living. It is full of all kinds of incredible talking ovaries!” They are fully alive and chattering amongst themselves, but only about what they know best…every and all kind of egg thing imaginable! Some were quiet and in serious conversations, while others were joking and laughing. This was a surprising and curious sight, indeed!
The next car toward the front on the train is similar, except it is full of stomachs! They were busy talking about what they know best… all kinds of stomach things! And so it went like that all the way up to the front of the train, to where the brains were driving the engine.
Now on the track in front of this women’s train, a big, dark and hollow train was barely moving, all tuckered out with only a tiny spark of energy.
About now, “HER” voice from another realm is heard all around, filling every sound space. “SHE” directs the women’s train to approach the hollow train and to “drive through” it to fill it out from within. Once inside, the women’s train engine carefully makes its way through to the hollow train’s engine space, where it begins to settle down and fill it out.
Finally, as this union is complete, “SHE” declares the plan a success!…
A dream calls out to be painted
This dreamscape absolutely caught my attention; I was especially intrigued by the talking ovaries. The feminine voices must be heard: they were animated, energized, and speaking their truth in so many ways. This vivid dream was bound to inspire a painting, plus some interesting conversations and insight, too.
While working on some initial ideas and sketches, I researched to learn more about this area of the female body:
“The Female Pelvis, Anatomy and Exercises,” by Blandine Calais-Germain, is filled with easy-to-understand text and illustrations showing the pelvic bones, how they are shaped, and how they move and work together. Separate chapters focus on the muscles, tendons, and organs. See how amazing this area is – able to dramatically expand and transform during pregnancy, childbirth, and then in later years. The book also shows targeted exercises to help keep this area healthy. While reading this book, I realized how much about this area I had not known before!
I emphasized the orange, second chakra area, with thin o-shaped coils of handwritten, egg and ovary-themed notepaper embedded in multiple layers of pigmented encaustic. A variety of round or egg-shaped beads fill many, but not all of the coils. Finally, the feminine charm in the painting’s center, perhaps symbolizing a sort of kundalini experience, provides the energy to push forth its truth.
⇒For information about viewing or purchasing this artwork, contact Janet Fox.
You’re invited to Janet Fox’s Featured Artist Reception in Gallery 209 on November 3rd; the show continues through November 28th. There’s more… on November 4th and 5th, come on by for the Open Studios Art Weekend, at Artists & Makers Studios 2 in Rockville.
December, 2017 Note – A bit THANKS to everyone who stopped by for my November show and allowed me to share my art and stories with you. I enjoyed hearing your stories, too! 🙂
My challenge was to create a 3-D encaustic fedora for “The Wearable Hat Show,” curated by DC art collector Steven Krensky and a mystery juror. The show offered artists in the metro DC area a unique opportunity to make a statement through the art of the hat.
Since encaustic medium works the best for me when on a solid base, I built a plaster cast from a fedora. After the plaster cast dried and cured, I primed it with encaustic gesso and again let it dry several days. Then I applied a base layer of clear encaustic medium, then added colorful papers, encaustic paint, oil paint stick, and finished it with a few “hatless” lines of text from a French dictionary. I found a piece of grandma’s antique lace that was just right for a brim wrap, added my signature and voila, the “Hatless Fedora” was finished.
“The Wearable Hat Show,” with 49 funky hats from regional artists, is on exhibit at the Artists & Makers Studios 1 and 2. My encaustic fedora is at A&M 2 location, at 12276 Wilkins Avenue, Rockville, MD. The show opened Friday, September 8th, and continues through Wednesday, September 27th, 2017. Viewing hours are 10:00 AM – 4:00 PM, Tuesday-Friday, 10:00 AM – 4:00 PM Saturdays, and Sundays/Mondays by chance or appointment.
⇒For information about purchasing this or a similar artwork, contact Janet Fox.
I recently took a trip to Brooklyn, New York, to relax, see some art, and enjoy the cityscape. While there, I visited the awesome artworks in the Brooklyn Museum. Here’s a bit of how my rejuvenating day went…
First of all, imagine having a yummy brekky and a spiced chai concoction in a gluten-free friendly cafe on a lazy, sunny Saturday morning. Next, we meander along the city sidewalks, gazing at this and that in an assortment of interesting stop windows. Along the way, we discover it’s also an open art studio weekend.
Walking half-way down the block, we see an open studio. So we climb the steps and enter artist Doug Beube‘s studio and gallery. We are absolutely WOWed by his beautiful bookwork, collage and mixed media art! After spending an hour exploring and enjoying his work and chatting, we decide to buy his book, Breaking the Codex. (Mr. Beube’s website has a fantastic variety of his art; I think you’ll be amazed, too!)
As a result of our visit, we have a renewed sense of creative energy and continue our journey to the museum.
Almost to the Museum now, we see lots of people in motion, moving this way and that. Some are sitting, soaking up the sunshine. As we sit for a bit at the Museum front plaza, imagine looking down from the sky and seeing all the others arriving from different directions.
Discovering ancient encaustic paintings
Imagine now, entering the Museum and roaming lazily through the exhibits. Suddenly to my surprise and delight, I discover the famous ancient Fayum Mummy portraits on display on a wall across the room! I recognized them immediately but didn’t realize they were in the Museum. These paintings are some of the earliest known pieces using encaustic paint, which has become my favorite medium. As a result, photos of them are in many books about encaustic painting.
My favorites include Noblewoman and Mummy Portrait of a Man. I stand mesmerized and study them for what felt like a very long time. So many questions swirl in my head. Who, specifically, painted them? What techniques did she or he use? Finally, did the painters back then have any inkling that many, many generations later, half-way around the world, people in Brooklyn would be viewing and appreciating their art with awe?
I set out creating Cityscape by starting with one of my earlier paintings, Unwinding. After heating and scraping away the paint, I added new layers of paper shapes and encaustic paint and medium. The rainbow of colors and shapes the diversity of people, structures, green spaces and energy. Going to the city to unwind and discover somethings old and new can be quite rejuvenating!
How do you unwind in the city?
⇒For information about purchasing a similar artwork, contact Janet Fox.
With so much us-vs-them energy in the external world, I needed a reminder of our many complicated, beautiful and often unseen connections. Whether I like it or not, I’m part of a fantastic web and an action in one spot ripples throughout in mysterious ways.
When I am upset, I can unwittingly pass the upset energy to someone else through my attitude. Or with acts of kindness, I can hopefully pass on some brightness and light. Not only can I pass along my energy, I must also be mindful of what kind of energy I receive or pick up from others.
September is traditional “back to school” time and I’ve been exploring some new materials to use in my encaustic paintings. In this piece, I started with watercolor paint and waterproof ink on watercolor paper. After the media dried, I mounted the paper on a rigid board. Then, I added encaustic medium, embellished the painting with more ink, and fused.
I really like how the painting turned out. The underlying pigments interact and flow into each other, creating lots of interesting tones while the encaustic medium intensifies the colors with a smooth finish. The circular spots… hmm, what are those about?
How do you experience connections?
⇒For information about purchasing this artwork, contact Janet Fox.ave