You’re invited to Janet Fox’s Featured Artist Reception in Gallery 209 on November 3rd; the show continues through November 28th. There’s more… on November 4th and 5th, come on by for the Open Studios Art Weekend, at Artists & Makers Studios 2 in Rockville.
My challenge was to create a 3-D encaustic fedora for “The Wearable Hat Show,” curated by DC art collector Steven Krensky and a mystery juror. The show offered artists in the metro DC area a unique opportunity to make a statement through the art of the hat.
Since encaustic medium works the best for me when on a solid base, I built a plaster cast from a fedora. After the plaster cast dried and cured, I primed it with encaustic gesso and again let it dry several days. Then I applied a base layer of clear encaustic medium, then added colorful papers, encaustic paint, oil paint stick, and finished it with a few “hatless” lines of text from a French dictionary. I found a piece of grandma’s antique lace that was just right for a brim wrap, added my signature and voila, the “Hatless Fedora” was finished.
“The Wearable Hat Show,” with 49 funky hats from regional artists, is on exhibit at the Artists & Makers Studios 1 and 2. My encaustic fedora is at A&M 2 location, at 12276 Wilkins Avenue, Rockville, MD. The show opened Friday, September 8th, and continues through Wednesday, September 27th, 2017. Viewing hours are 10:00 AM – 4:00 PM, Tuesday-Friday, 10:00 AM – 4:00 PM Saturdays, and Sundays/Mondays by chance or appointment.
⇒For information about purchasing this or a similar artwork, contact Janet Fox.
I’m thrilled to join with local artist Cathy Hirsh, our co-op’s instigator. Our artists create contemporary art in acrylic, collage, encaustic, ink, mixed-media, oil, pencil, sculpture, and watercolor. The other member artists are:
Artists & Makers Studios 1 and 2 just celebrated its second anniversary and is part of Rockville’s emerging and vibrant art scene. Three re-purposed buildings include studio and gallery space for about 150 local artists; there’s even an art school and special events, too!
Gallery 209 is open Tuesday-Saturday, 10 AM – 4PM. Our artists will greet and meet you in person from 6 – 9 PM the first Friday of each month as we launch a new exhibit; other A&M Studios 1 and 2 will also be open then and with a reception. Our artists will also be there in person every Saturday from noon – 4PM, for other Artists & Makers or Gallery 209 special events, and by appointment.
I recently took a trip to Brooklyn, New York, to relax, see some art, and enjoy the cityscape. While there, I visited the awesome artworks in the Brooklyn Museum. Here’s a bit of how my rejuvenating day went…
First of all, imagine having a yummy brekky and a spiced chai concoction in a gluten-free friendly cafe on a lazy, sunny Saturday morning. Next, we meander along the city sidewalks, gazing at this and that in an assortment of interesting stop windows. Along the way, we discover it’s also an open art studio weekend.
Walking half-way down the block, we see an open studio. So we climb the steps and enter artist Doug Beube‘s studio and gallery. We are absolutely WOWed by his beautiful bookwork, collage and mixed media art! After spending an hour exploring and enjoying his work and chatting, we decide to buy his book, Breaking the Codex. (Mr. Beube’s website has a fantastic variety of his art; I think you’ll be amazed, too!)
As a result of our visit, we have a renewed sense of creative energy and continue our journey to the museum.
Almost to the Museum now, we see lots of people in motion, moving this way and that. Some are sitting, soaking up the sunshine. As we sit for a bit at the Museum front plaza, imagine looking down from the sky and seeing all the others arriving from different directions.
Discovering ancient encaustic paintings
Imagine now, entering the Museum and roaming lazily through the exhibits. Suddenly to my surprise and delight, I discover the famous ancient Fayum Mummy portraits on display on a wall across the room! I recognized them immediately but didn’t realize they were in the Museum. These paintings are some of the earliest known pieces using encaustic paint, which has become my favorite medium. As a result, photos of them are in many books about encaustic painting.
My favorites include Noblewoman and Mummy Portrait of a Man. I stand mesmerized and study them for what felt like a very long time. So many questions swirl in my head. Who, specifically, painted them? What techniques did she or he use? Finally, did the painters back then have any inkling that many, many generations later, half-way around the world, people in Brooklyn would be viewing and appreciating their art with awe?
I set out creating Cityscape by starting with one of my earlier paintings, Unwinding. After heating and scraping away the paint, I added new layers of paper shapes and encaustic paint and medium. The rainbow of colors and shapes the diversity of people, structures, green spaces and energy. Going to the city to unwind and discover somethings old and new can be quite rejuvenating!
How do you unwind in the city?
⇒For information about purchasing a similar artwork, contact Janet Fox.
With so much us-vs-them energy in the external world, I needed a reminder of our many complicated, beautiful and often unseen connections. Whether I like it or not, I’m part of a fantastic web and an action in one spot ripples throughout in mysterious ways.
When I am upset, I can unwittingly pass the upset energy to someone else through my attitude. Or with acts of kindness, I can hopefully pass on some brightness and light. Not only can I pass along my energy, I must also be mindful of what kind of energy I receive or pick up from others.
September is traditional “back to school” time and I’ve been exploring some new materials to use in my encaustic paintings. In this piece, I started with watercolor paint and waterproof ink on watercolor paper. After the media dried, I mounted the paper on a rigid board. Then, I added encaustic medium, embellished the painting with more ink, and fused.
I really like how the painting turned out. The underlying pigments interact and flow into each other, creating lots of interesting tones while the encaustic medium intensifies the colors with a smooth finish. The circular spots… hmm, what are those about?
How do you experience connections?
⇒For information about purchasing this artwork, contact Janet Fox.ave
The 2016 Kensington “Paint the Town” Labor Day Weekend Art Show is September 3-5, 2016. One of the requirements for artists participating in this annual show is to create a painting inspired by is Maryland town. The town co-sponsors the event with the Montgomery Art Association.
My 2016 “Paint the Town” entry is based loosely on a map view of the streets around the Kensington Town Hall / Armory, at 3710 Mitchell Street. I fused several layers of green and yellow shapes, in paper and encaustic representing street blocks in a map view. The green and yellow mirrors the colors on many of street markers and signs around town as well as the town clock.
This painting will be at the MAA’s “Paint the Town, 2016” Labor Day Weekend Art Show. If you’re in the area then, stop on by. I’m also showing 5 other encaustic paintings and many new pieces in my black art bin. Plus, you’ll find many other artworks by artists from the Montgomery County, Maryland region.w.
Sometimes I feel like a square peg trying to fit into a round hole. Other times, I feel like a square hole, seeking a round peg. In both situations, the fit just isn’t quite right. When I can stretch myself in the direction of something where I don’t usually fit, I feel like it also gives a little and meets me somewhere in between. And when the squound and rare come together, it feels like magic.
Finding “perfection” is often a matter of adjusting my expectations, attitude, and seeing a different point of view. Is that yellow dandelion in my yard a weed to uproot? Or is it a delicate yellow flower that will be in a child’s bouquet? Is the painting finished by a gut feeling, or does my brain tell me I need to add one more spot of paint? Is that pain in my back a curse that torments, or a gift reminding me that I can feel sensations? As in many things I’ve experienced, is it really some of both, rather than one or the other.
Don’t let perfection be the enemy of good enough. I’ve heard this many times before. Sometimes adding another small detail would be nice, but I need to stop to do other things. Prioritizing can help, so that I can do what is crucial first, then I can add less important items as time allows. I’ve found that practicing painting with a timer can also keep me from over-thinking things. I’m also practicing “listening to the painting,” letting it tell me when it’s finished.
About Squound Hole, Rare Peg
My encaustic painting, Squound Hole, Rare Peg is inspired by the same dream as was my Dreamers Orb painting, where molten iron was thrown over the edge of a roof, forming a square-round ingot as it rained down. I used my favorite complementary colors, turquoise and rust, highlighted in gold. And creating that perfect fit felt kind of magical!
⇒For information about purchasing this artwork, contact Janet Fox.Save
On this day, and especially with June and a focus on Fathers Day ahead, I’m focusing on the ageless wise man. In my recent companion post about the Wise Woman, I noted that I often awaken in the morning, lie still for a few minutes, and try to set an intention for the day. So today, I’m thinking of and looking for the wise man. Where can I find him? If and when I find him, what questions will I ask?
Characteristics of the wise man
Who is this wise man? He is the one who knows all things from a masculine perspective. I don’t think there is such a being within one person, but I try to look for core characteristics in the many people, male and female, who I will meet today. When I think of male energy figures, I think he is a provider, protector, resourceful, a teacher. He knows how to work hard and work smart, and can show me how I can also do the same.
When I ask him to do something for me that I’m not quite sure of, he might ask me if I can spell the word “able.” When I spell it correctly, he might then say, “If you can spell it, you can do it!” In saying this, he is telling me he has confidence in me and I should try it myself. Or he might encourage me to reach for that apple out on the limb of the apple tree, giving me confidence to overcome my fear by allowing me stretch out while he stands below, ready to catch me in case I slip.
Other wise men I think of are steady in the midst of chaos. They don’t easily get rattled by insults and don’t get into fights… unless it is the last resort. He has a sort of power and knows how to use it to make the world a better place. I recently attended one of the most beautiful weddings I’ve every witnessed. The groom teared up during the ceremony as the emotions swelled… and it was quite moving and powerful!
You might like what a few others have to say about the wise man:
With June’s celebration of Fathers Day in mind, I created this encaustic mixed-media painting in honor of the many wise men in the world. Since it is a companion painting, I also used my favorite colors, but in the opposite way with rust color surrounding the male symbol (also the symbol of the planet Mars) with turquoise highlights. The wires originating from the center follow a path pouring outward through the arrow. The short poem encircling the symbol leads to the bigger note: “Today With the Ageless Wise Man.”
⇒For information about purchasing this artwork and/or its companion art, contact Janet Fox.